You are also agreeing to our Terms of Service and Privacy Policy. Well-known as a comedian and. We received hundreds of submissions from around the world in our short timeframe, and narrowed ou Take the TED Conference and add a generous helping of play, a sprinkling of colorful creativity, a lot of red beanbags, an endless supply of coffee, and a plethora of riveting conversations around fire pits with a tribe of smart, quirky people from all over the world and -- voila! So when Watts says, "And the computer models, no matter how many that you have, and how many people that you use, are never going to be able to arrive at the same conclusions," he's making a coherent statement--the sort you might actually expect to hear in a "real" lecture--that tells us much about his view of art and life. Does it suggest that one doesn't really know oneself, or that one has ceased to distinguish between false and actual reality? In playing off the cliche "thinking outside the box," Watts constructs an aphorism that militates for us changing our frames of reference, not merely our intentions. That still works. Metamodernism seeks to resolve the yearning for Truth seen in Modernism with the acceptance that there is no Truth seen in postmodernism, which is why the proto-metamodernists of the aughts often said that they were "between" Modernism and postmodernism rather than "beyond" or "above" one or the other. Watch next 04:29 Reggie Watts' beats defy boxes. Photo: James Duncan Davidson And so, we bring you the best TED Talks for procrastinating, so you dont have to feel completely guilty for not doing what you are supposed to be doing. T.S. This too is a metamodernistic approach to both art and life, as metamodernism focuses not on tracing how the ego moves forward through time, but on how what metamodernists call "hyperconsciousness" or "superconsciousness" allows us to move upward through overlapping or interstitial "higher" ("meta") layers of reality. Eliot, Ezra Pound, Marianne Moore: These are some of the names that likely haunted you in your high school and college years, as their complex and highly allusive texts played havoc with your busy social schedule come term-paper and exam time. Change). This is why we can say that, unlike much Modernism and postmodernism, the metamodernistic impulse is fundamentally optimistic and "sincere"; if it acknowledges the confusion, futility, or incapacities of everyday living, it is not to wallow in them but to use them as a generative instrument. Reggie Watts: "Do You Guys Ever Wonder" Comedy Central Stand-Up 2.1M subscribers 103K views 2 years ago #ReggieWatts #StandUp Reggie Watts tells relatable stories from his crazy life and. As beatboxer Tom Thum puts it in this talk from TEDxSydney, All the sounds you just heard were made entirely using just Multitasking is highly overrated, says Paolo Cardini. Watch the TED Full Spectrum Auditions archive video >> What a table of local cultural traditions alive and reggie watts ted talk transcript below. As of 2022, he possibly seems to be single. 7. What Watts does in the ten minutes of his TED talk is put on a veritable clinic of metamodernism. As we face fear in these times and fear is all around us. Watch what he created: "It's Time for TED." Browse the library of TED talks and speakers, 100+ collections of TED Talks, for curious minds. The challenge to the TED community: Make a one-minute video that describes your idea worth sharing -- and how you'd share it with the world. He is one of the most interesting and innovative comedians out there and watching him is not only entertaining but meaningful and thought provoking. The TED transcripts dataset contains the transcripts for all talks available on TED.com. If you've ever been in an advanced college English course, or any English classroom at the graduate level, you've probably been exposed, with an equal measure of frustration, to the postmodernists: Those who contend, generally speaking, that there is no stable self, no stable Truth, no stable language, no notable structure for us to hang onto whatsoever as we move through a series of performances and collapsing institutions in contemporary America. The result is that the audience becomes complicit in a "new reality" in which the string of nonsense Watts just invented is "common knowledge." So like umSo I wrote a song. SUITE 320 You know what Im saying? Or write to: Reggie Watts Instead, he aims to embody the twenty-first century information consumer, within whom countless unbreakable codes that are obscure to all listeners are crafted into an authentic and "whole" identity nonetheless. In 2012, Watts gave a TED talk like none you've ever seen, and if you want to start understanding metamodernism better than you (or I) likely ever understood Modernism or postmodernism, one step is to watch the ten-minute video above and then read the blow-by-blow analysis of the video offered below. This isThis is a fun one. TED Conferences, LLC. A sense of self kicked in. He was said to be dating ballet dancer Andrea Feyler. I had to do it. Watts reveals to us here how we often accidentally or even deliberately self-sabotage, but do so in a way so authoritative that others can't or won't see it. This, once again, is ordered nonsense, but if it feels more "real" than what preceded, even for a second, it reveals the presumptions of the largely-white TED audience. His words appear to make sense, particularly on their own: "Fear is all around us. At the prestigious TED Conference he received a standing ovation. Go deeper into fascinating topics with original video series from TED. A virtual reality dance party at Sundance. Thats French science. Watch now Add to list 17:24 Paul Stamets 6 ways mushrooms can save the world Mycologist Paul Stamets lists 6 ways the mycelium fungus can help save the universe: cleaning polluted soil, making insecticides, treating smallpox and even flu viruses. This is a dramatically different means of art creation than any we've seen before, which is one reason we need the term "metamodernism" to circumscribe it. But what does it say about the audience's presumption that it might have been? 10. Metamodernism is a different beast altogether, and it's expansive enough that even those who talk about it can't agree on whether it comes "between" Modernism and postmodernism or supercedes both and thereby effectively declares both dead. In case this isn't clear enough, he adds: "Feel not as though it is a sphere we live on; rather, an infinite plane which has the illusion of leading yourself back to a point of origin. So as I say before the last piece. Towards the end of the clip above, Watts does what he is so often inclined to do: Incorporate into his routine statements about the state of the world that are consummately metamodernistic. Today, we are constantly caught in the act of creating and performing simultaneously, which means that "reality"--the point at which these processes of creation and performance result in a cognizable work of art--is constantly shifting. How do we know Watts is speaking "authentically" in the codes he seems to be using? A virtual reality dance party at Sundance. The talks are watched by crowds with certain time limits, are meant to be informative, and are broadcasted to millions who watch. The talks are watched by crowds with certain time limits, are meant to be informative, and are broadcasted to millions who watch. By explanation, he offers his audience a string of sentences which to most will sound like gibberish--what Watts undoubtedly intends--but are actually a reasonable enough summary of the compositional philosophies of the late musical theorist and experimental musician John Cage. To Watts--a performer whose primary unit of measure is a boundless reality or realities--there is no "outside the box," as there isn't even a box. In 2008, he was awarded the J. Howard and Barbara M.J. Wood Prize by Poetry. Blog. In saying "I wrote this song" in pseudo-ebonics, Watts gives his audience implicit permission, because of what they know about his background as a songwriter, to believe that he's now ceased code-switching and is speaking in his "real" voice. There are no words to describe Reggie Watts. (In his "Why $#!+ So Crazy? Watts also uses looping in more obvious ways, such as when he introduces his final piece, performs that piece, and then (a second time) introduces his final piece, and then performs that piece, as though the first performance (and the attendant claim of its finality) had never happened. But what exactly is it? But, in the midst of all this, there is a mark of humility, charm, and absent-mindedness that makes one think of the schlemiel. This is my final piece. He maintains, throughout all the languages he speaks in, the same tone and rhythm, as if to suggest that the codes he's using may be changing, but the dialogue he's orchestrating is consistent. In 2012, Watts gave a TED talk like none you've ever seen, and if you want to start understanding metamodernism better than you (or I) likely ever understood Modernism or postmodernism, one step is to watch the ten-minute video above and then read the blow-by-blow analysis of the video offered below. His mother is French and his father is American. Reggie released his debut comedy cd/dvd Why $#!+ So Crazy? These surprising, slightly psychedelic talks are better than staring at a blacklight poster. Click Open transcript 3. Does Watts himself (one might loosely wonder) realize the error of the correction, given that he's deliberately couched the correction in the sort of tone and body language that sincerely communicates, "Oh, I messed up there"? Essentially, Watts sets the table for one reality--in which what he's saying is nonsense and his audience knows it--and then pulls out the rug from beneath us all by cleverly encoding actual sense into his monologue. Not just any day, but it is a day. TED.com translations are made possible by volunteer All rights reserved. Watch in honor of Movember, the month in which men let their staches grow wild to raise money for mens health causes. 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